*presses the button* *worships the button* *becomes the button*
Everyone Loves a Good Car Jam!!! - by Thomas Sanders
LITERALLY THE BEST PART IS YOU CAN SEE THE PURE SHOCK ON HIS FACE
people dont blog about the princess bride enough
she doesn’t even try to walk down she just dives head first onto a fucking hill buttercup what even god i love this movie
is this why the show was taken off nick?
So this is what air benders can do. Sucking the air out of people’s lungs. Just as cool as lightening bending if you ask me
No I don’t think you guys understand this is frightening
Airbenders are pretty much the most powerful benders. A firebender has to create fire. A waterbender is most powerful on the open seas as much as an earthbender is on land. But air is literally everywhere.
The Air Nomads weren’t dangerous because they chose not to be.
you’vE GONE TOO DEEP
Hey, HOLD UP.
While I agree that Airbenders do have a lot of power at their exposure, they aren’t the only ones.
Waterbenders can bend any type of fluid containing water, even blood inside the human body! That’s pretty fucking metal.
They can also take the water vapor out of the air, use their own sweat or even drain the water out of every living thing nearby.
Imagine that ^^ happening to a person..
Next we have fire, the element of destruction. Like Airbenders, they can use the air around them, and transfer it into energy. Firebenders can bend or generate anything fire/ heat related. That means lightning, flames, or extreme heat that has the potential to shape its environment (such as melt molten rock and metal.) Even fire breath!
Next we have Earth. Earthbenders can bend anything related or comprised of Earth, such as metal, rock, dirt, sand, etc. EVEN LAVA. Anything mineral related? You got it. Admittedly, minerals- although extremely easy to come by, are not as present as water or air. But there sure is enough to make use of, and we can’t say Earthbenders aren’t powerful!
This guy just stopped a volcano.
Not only are they powerful, but they are also graceful.
And I mean look at this! Avatar Kyoshi Earthbends a freaking continent in HALF!
In conclusion, fear all benders.
I’ve seen this image going around, and I feel compelled to point out that it’s only half-right. It’s true that high heels were originally a masculine fashion, but they weren’t originally worn by butchers - nor for any other utilitarian purpose, for that matter.
High heels were worn by men for exactly the same reason they’re worn by women today: to display one’s legs to best effect. Until quite recently, shapely, well-toned calves and thighs were regarded as an absolute prerequisite for male attractiveness. That’s why you see so many paintings of famous men framed to show off their legs - like this one of George Washington displaying his fantastic calves:
… or this one of Louis XIV of France rocking a fabulous pair of red platform heels (check out those thighs!):
… or even this one of Charles I of England showing off his high-heeled riding boots - note, again, the visual emphasis on his well-formed calves:
In summary: were high heels originally worn by men? Yes. Were they worn to keep blood off their feet? No at all - they were worn for the same reason they’re worn today: to look fabulous.
so then how did they become a solo feminine item of attire?
A variety of reasons. In France, for example, high heels fell out out of favour in the court of Napoleon due to their association with aristocratic decadence, while in England, the more conservative fashions of the Victorian era regarded it as indecent for a man to openly display his calves.
But then, fashions come and go. The real question is why heels never came back into fashion for men - and that can be laid squarely at the feet of institutionalised homophobia. Essentially, heels for men were never revived because, by the early 20th Century, sexually provocative attire for men had come to be associated with homosexuality; the resulting moral panic ushered in an era of drab, blocky, fully concealing menswear in which a well-turned calf simply had no place - a setback from which men’s fashion has yet to fully recover.
FASHION HISTORY IS HUMAN HISTORY OK
Thank you, history side of tumblr. That “stay out of blood” thing has been driving me mad.
Now that’s some serious cosplay… The Spider Queen from Diablo 3
BETTY BOOP - The Original Story
Ms. Esther Jones, known by her stage name, “Baby Esther,” was an African-American singer and entertainer of the late 1920s. She performed regularly at the (The Cotton Club) in Harlem.
Ms. Jones singing style went on to become the inspiration for Max Fleischer cartoon character’s voice and singing style of “Betty Boop”.
YES: “Betty Boop” was a black woman.
Singer Helen Kane saw her act in 1928 and copied it, stole it. Ms. Jones’ “trademark” singing style for a recording of, “I Wanna Be Loved By You.” with interpolated words such as ‘Boo-Boo-Boo’ & ‘Doo-Doo-Doo’ in her songs at a cabaret was a style all her own.
An early test sound film was also discovered, which featured Baby Esther performing in this style, disproving Kane’s claims. During the $250,000 infringement lawsuit, Esther’s manager testified that , “Helen Kane & her manager saw Baby’s act somewhere between 1928-1929.Baby Esther’s manager also testified that Helen Kane had saw Baby Esther’s cabaret act in 1928.”
Supreme Court Judge Edward J. McGoldrick ruled: “The plaintiff has failed to sustain either cause of action by proof of sufficient probative force”. In his opinion, the “baby” technique of singing did not originate with Kane.
As an added note, scholar Robert G.O’Meally said, Betty Boop, the WHITE CARTOON character herself had, as it were, a BLACK grandmother in her background.
Baby Esther was presumed dead by 1934, just when the lawsuit had ended.
Pirate!Free! postcard set = 7=; for ComicWorld 2014
Now available at: http://akushop.storenvy.com/
Lillian Weber, a 99-year-old good Samaritan from Iowa, has spent the last few years sewing a dress a day for the Little Dresses For Africa charity, a Christian organization that distributes dresses to children in need in Africa and elsewhere.
Weber’s goal is to make 1,000 dresses by the time she turns 100 on May 6th. So far, she’s made more than 840. Though she says she could make two a day, she only makes one – but each single dress she makes per day is personalized with careful stitchwork. She hopes that each little girl who receives her dress can take pride in her new garment.